When I first started experimenting with digital tools, everything felt raw, clunky, and full of friction ,which, ironically, was part of the magic. There was a kind of wild west energy to it. No one had a roadmap. You had to improvise workflows and coax beauty out of machines that weren’t really designed for art. What’s surprised me most is how much has been automated, how accessible, intuitive, and even seductive these tools have become. That’s a gift, but also a challenge. Some of the struggle used to shape the soul of the work. Now the danger is in over-polishing, or letting the machine’s fluency flatten the human fingerprints. Staying conscious in that balance between what tech can do and what the art should express has become more critical than ever.